The idea that form follows function is gospel for many architects and designers. And yet, great design often involves so much more than this. While the end-use may influence a design’s shape and style, this should not be at the expense of beauty, and any object of note should seek to inspire and delight in ways entirely unexpected. Today’s multifaceted homes have also imposed an additional requirement. In order to be considered truly contemporary, a design must be versatile and agile, able to keep up effortlessly with the evolving rhythms of modern life.
It’s a set of criteria that has been perfected by the team at USM. In 1965, they launched the Haller collection, a modular furniture system designed to simplify the hum and thrash of mid-century offices. Looking at it’s timeless, intelligent design, you could be forgiven for thinking that it had been conceived in the Bauhaus School of the Arts. However, its story actually began in neighbouring Switzerland, when Paul Schärer and Fritz Haller decided to translate the expansive principles of steel frame construction into furniture form.
Now a part of the permanent collection at the Museum of Modern Art, the Haller System challenges the idea that bespoke furniture means fixed in place. Given that the design was conceived over 50 years ago, this is quite a revolutionary thought.